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      <image:caption>Tobias Keene, D.D.S. Hailing from Richmond, Virginia, Dr. Tobias Keene brings a bit of unabashed Southern hospitality to all his patients. He moved to Washington, D.C. over thirty years ago as a freshman at Ivy College. Right after graduation, he attended World University’s School of Dentistry. Before opening Keene Dental in 1994, he worked for free clinics and some of the finest practices in the District. He is part of the 123 Dental Association and stays up-to-date on the latest dental discoveries. When not striving to keep his patients happy and healthy, he’s enjoys hiking with his family in Rock Creek Park.</image:caption>
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      <image:caption>An Immersive Play by Witness Immersive Rave Theater Festival at Teatro LATEA New York, NY August 9-25, 2019</image:caption>
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      <image:caption>Kellyn Thornburg is a dancer, choreographer, immersive artist, and movement educator living in New York City. She currently holds the title of Visiting Assistant Professor of Dance at C.U.N.Y. Queens College, and is a Doctoral student in the Dance Education program at Teachers College, Columbia University. In addition to this, she is a teaching artist with New York City Ballet and Alvin Ailey’s Arts in Education programs. Kellyn holds her M.F.A in Choreography with a concentration on Immersive and Site-Specific Performance from New York University’s Tisch School of the Arts and her B.F.A. in Contemporary Dance from the University of North Carolina School of the Arts. She has had the opportunity to work with companies such as Twyla Tharp, Linked Dance Theatre, HouseWorld Immersive, MElder Movement Art, John Selya, and Blue Morph Collective. She has also performed works by Ohad Naharin, Lar Lubovitch, Lucinda Childs, Merce Cunningham, Helen Simoneau, Ori Flomin, and Mariel Pettee. Her choreography has been featured in work with City Lyric Opera (2023), the American Dance College Association Conference (2023), Houseworld Immersive (2021-22), Blue Morph Collective (2021), Second Ave Dance Company at NYU (2020), Linked Dance Theatre (2018-19), the RAVE Festival NYC (2019), and Awakening Movement NYC (2016-17). Kellyn is married to her amazing husband and musical collaborator, Edward Mylechreest, and together they create immersive art and enjoy spending time with their dog Millie.</image:caption>
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      <image:title>I AM</image:title>
      <image:caption>I AM. I am a body. Living, breathing, moving, and expressing my inner most self through the medium of dance. I see movement as a language of the soul. Every reach of the arm, every twist of the torso, and every bow of the head, creates a conversation between the universe and the galaxy within my inner most being. When my feet hit the marley, the grass, and even the kitchen floor, I create a sacred space for my body to explore all of its accessibility and limitations. I grant myself the permission to fail. I try this. “No, that doesn’t work. Let’s try something different, Kellyn.” I exterminate, regenerate, and let the process be. Granting myself the ability to fail, gifts me a deeper appreciation for when things work.  I am a story. As a human being, I have an unspoken narrative that continually dwells within me. This narrative begs to be heard, but not through words. My preferred medium of storytelling is through movement. I seek to create worlds and experiences, while stripping dance to the rawest of emotions. I create physical stories to challenge ill-fitting ideals, standards and preconceived notions that society commonly shares. I value the female body, focus on a meditative choreographic approach, and seek to create work that heals both audience and performer. I create movement because it is my voice, and this voice is stronger than any song I could sing or novel I could write. I yearn for connection. I aim for change.  I am a researcher. Between the simplicity of black and white, lies the mysterious shades of grey and every other color in which I want to reside. There is no right and wrong, and I seek to live in the investigation of the in-between. I research because I believe there is always more to be learned, in life and movement. I question as I orchestrate bodies like puppets on strings. I contradict as I order for alignment, then say “screw it” and release into gravity. I fluctuate as the process evolves, and don’t allow fear to have any say in what I manifest. I exist in the in-between on purpose with purpose. I never want to know how to do something perfectly or horribly wrong. I’m not interested in correct and incorrect. I want to play around in the “what in the world is this?” And see where this magic may lead me. I seek to always challenge my thought process, before allowing my work to become stale and stagnant. Creativity is a stream of running water. If there is no force behind it, no obstacles running through it, the water sits idly in a mucky puddle of gunk. Constantly challenging my own creative process, keeps my work fresh and alive. I don’t want to settle for murkiness. I want living waters. This is my kind of space.  I am many things, including a body, a story, and a creator in constant investigation. Movement is my language, my spirit is my narrative, and my body is my medium of communication. These connections drive my creative voice, and through them I share my heart with the world.</image:caption>
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      <image:title>Of Zion</image:title>
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      <image:title>Of Zion</image:title>
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      <image:title>Of Zion</image:title>
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      <image:title>Of Zion</image:title>
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